Zeyi Zoey Li’s documentary, “ALL IN MAY,” is a moving exploration of the lives of domestic workers in Hong Kong, focusing on the heartfelt journey of Arlene, a Filipino helper. Selected as a finalist at the Stockholm City Film Festival in July 2025, this film is a significant contribution to the discourse on labor rights and cultural differences.
Strengths
- Personal Narratives: The documentary excels in its intimate storytelling. Arlene’s transition from a fulfilling office job in the Philippines to her current role as a domestic worker underscores the sacrifices she makes for her family’s betterment. Her journey is emblematic of many similar stories, making the film relatable and impactful.
- Cultural Insights: The film effectively portrays the cultural challenges domestic workers face while adapting to life in Hong Kong. Arlene’s reflections on patience and flexibility in dealing with her employers highlight the complexities of navigating different cultural expectations.
- Economic Context: By emphasizing that domestic workers contribute approximately 3.6% to Hong Kong’s economy, the documentary encourages viewers to appreciate the vital role these workers play in supporting local families and the economy at large.
Areas for Improvement
- Visual Storytelling: While the narrative is compelling, enhancing the visual elements could further engage the audience. More dynamic cinematography, such as candid interactions between Arlene and her employer or glimpses into her life in the Philippines, could enrich the viewer’s experience.
- Expert Commentary: Incorporating insights from sociologists, labor activists, or economists would provide a broader context to the personal stories shared. This approach could help ground Arlene’s experiences within larger societal issues, adding depth to the narrative.
- Pacing and Structure: The pacing occasionally feels uneven, especially during transitions between personal anecdotes and broader social commentary. A more cohesive structure could help maintain engagement throughout the documentary.
Conclusion
Overall, “ALL IN MAY” is a heartfelt and thought-provoking documentary that sheds light on the often-overlooked lives of domestic workers. Zeyi Zoey Li has crafted a narrative that resonates emotionally while also encouraging critical reflection on labor practices. With some refinements in visual storytelling and structural pacing, future projects could achieve even greater impact.
The film’s selection as a finalist at the Stockholm City Film Festival is a testament to its quality and relevance. We will look forward to seeing how Li continues to explore these important themes in her future work.
